NRT – Further reading

If you would like to know more about Neo-Riemannian theory, refer to these articles and books:

Mason, Laura Felicity. “Essential Neo-Riemannian Theory for Today’s Musician.” Masters Thesis, University of Tennessee, 2013. https://trace.tennessee.edu/utk_gradthes/1646

Capuzzo, Guy. “Neo-Riemannian Theory and the Analysis of Pop-Rock Music.” Music Theory Spectrum, Vol. 26, No. 2 (Fall 2004): 177-200. http://www.jstor.org/stable/10.1525/mts.2004.26.2.177

Callender, Clifton. “Voice-Leading Parsimony in the Music of Alexander Scriabin.” Journal of Music Theory, Vol. 42, No. 2 (Autumn 1998): 219-233. http://www.jstor.org/stable/843875 .

Childs , Adrian P. “Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for SeventhChords.” Journal of Music Theory Vol. 42, No. 2 (Autumn, 1998): 181-193. http://www.jstor.org/stable/843872

Clough, John. “Diatonic Trichords in Two Pieces from Kurtág’s “Kafka-Fragmente”: A Neo-Riemannian Approach.” Studia Musicologica Academiae Scientiarum Hungaricae  T. 43, Fasc. 3/4 (2002): 333-344. http://www.jstor.org/stable/902593

Cohn, Richard. “Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective.” Journal of Music Theory, Vol. 42, No. 2 (Autumn, 1998): 167-180. http://www.jstor.org/stable/843871

Cohn, Richard. “Neo-Riemannian Operations, Parsimonious Trichords, and Their “Tonnetz” Representations.” Journal of Music Theory  Vol. 41, No. 1 (Spring, 1997): 1-66. http://www.jstor.org/stable/843761 .

Hughes, Bryn. “Neo-Riemannian Triadic Progressions.” Open Music Theory, Chapter V: Chromaticism. Accessed 09 June 2022.  https://viva.pressbooks.pub/openmusictheory/chapter/neo-riemannian-triadic-progressions/

Krumhansl, Carol L. “Perceived Triad Distance: Evidence Supporting the Psychological Reality of Neo-RiemannianTransformations.” Journal of Music Theory Vol. 42, No. 2 (Autumn, 1998): 265-281. http://www.jstor.org/stable/843878 .

Popoff, Alexandre. “Building generalized neo-Riemannian groups of musical transformations as extensions.” Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance 7:1 (2013): 55-72. DOI: 10.1080/17459737.2013.768712

 Siciliano, Michael. “Two Neo-Riemannian Analyses.” College Music Symposium Vol. 45 (2005): 81-107. http://www.jstor.org/stable/40374521