Secondary Augmented 6th chords

So far we have looked at all augmented 6th chords – German, Italian, and French – whose bass is the note a half-step above dominant and the same chords with a bass note a half-step above tonic.

However, augmented 6th chords can appear a half step above other scale degrees as well. These are analyzed as secondary augmented 6th chords.

Let’s look at an example of a secondary augmented 6th chord.

Schubert’s Moment Musicales No. 6 in Ab major is one of six short pieces for solo piano written from 1823 to 1828. We will look at only the first part of No. 6 – mm. 1-28 (see below).

An analysis of all the chords that we know how to analyze are marked in the following example. The non-diatonic chords that are not known are marked in purple and blue below.

Let’s look at the chords mark in purple first (those in m. 16-17 and m. 24-25).

These are the same chords – an Fb7 chord but spelled as Fb-Ab-Cb-D natural which is a German 6 in the key of Ab.

The German 6 resolves like the augmented 6 that it is: the Fb and the D resolve out to the Eb which is the fifth of an Ab minor chord in second inversion.

Therefore, the chord is analyzed below as a German in both mm. 16-17 and 24-25 (marked in purple below).

Finally, let’s look at the chords in measures 10-12.

The chord in Measures 10-11 is a Db7b5 – a Db-F-Abb-Cb chord which can be enharmonically spelled as Db-F-G-B — a French 6 chord. Spelled as a French 6, it esolves correctly; the Db and B resolves out to C and the chord resolves to a C chord.

However, in the key of Ab, a C major chord is not V or I – the traditional resolutions of an augmented 6th chord. Instead C major is III in the key of Ab.

Therefore, this French 6 chord is a secondary augmented 6 chord. It is a French/III (since the augmented 6th interval should and does resolve to the note that is the 3rd scale degree in the key) and is marked as such below.

In summary, a secondary augmented 6 chord is an augmented 6th chord that appears on a note other than the note a half-step above dominant or tonic. It is usually marked as an augmented 6th of (/) that chord it resolves to.


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